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Song ideas, made fresh every time.

Mix a title, a picture, a character, a feeling, a trick from the great songwriters and a chord colour. Pin what you love, shuffle the rest, or write your own. There are more than 408 billion combinations, so the idea you get is yours alone.

Moderately, wistfully = 98

in Bb major

a song about

Words and music by

the scene
starring

after Irving Berlin

verse Cm7F7Bbmaj7Bbmaj7
chorus Dm7G7Cm7F7

The ballroom. Two, five, one: the move half the standards are built on. Smooth, grown-up and a little smoky.

Write it in Song Cage

Beside every line: another one, write your own, or pin it so New idea keeps it.

How to use a song idea

Read the six rows as one small scene. The picture is where the song happens, the character is who it happens to, the feeling is what it means, and the title is what the chorus finally says. Play the chords and sing over them until a tune turns up; then use the trick to make your first real decision for you.

Shuffle anything that doesn’t ring true and lock anything that does. Two rows that don’t seem to belong together are often the best part: a lighthouse keeper and a music box that only plays when the house is asleep is already a song. Click any line to put your own words in its place.

What makes a song timeless

Plain words for big feelings. Irving Berlin said he aimed to write “in the simplest way… as simple as writing a telegram”, and the songbook writers around him wrote about what everyone goes through rather than about themselves (Galenson, 2007). Every feeling here is written that way: no “heart”, no “fire”, just something that happens to people.

An ordinary place, a little strange. “The secret to successful songwriting is the ability to paint a picture,” Paul McCartney writes in The Lyrics, and Eleanor Rigby is drawn in one detail: she picks up the rice after somebody else’s wedding (The Guardian). Penny Lane is a barber, a banker and a fireman on a real street, made slightly dreamlike. The pictures and characters here are built the same way: everyday things with one detail that tells you everything.

Wonder with a sadness in it. When You Wish Upon a Star opens with a leap of an octave and ends on a note that isn’t home, which, as the Library of Congress’s essay on it puts it, reflects the unfulfilled nature of dreams and wishes (James M. Bohn). Bowie lifted the octave leap of Over the Rainbow for the chorus of Starman. Those devices are in the tricks, with the song each comes from.

Chords that say what the words don’t. Brian Wilson called God Only Knows the only song he wrote that isn’t in a definite key: the verse keeps shifting under “I may not always love you” and only finds solid ground at the title (Gary Ewer). In My Life leans on John Lennon’s favourite minor four chord (Alan W. Pollack), and Yesterday keeps sliding toward its sad relative minor, so every brave face it puts on gives way (Pollack). The chord colours are those moves, ready to play.

Why combining ideas works

New ideas tend to come from two things that don’t normally meet; the writer Arthur Koestler called it bisociation in The Act of Creation. Cole Porter set a trip to the moon beside a shrug, and Harry Nilsson wrote about the father who left him in songs as bouncy as a nursery rhyme. A machine that throws a picture, a person and a feeling together hands you that collision for free.

The limits help too. A review of 111 studies found that constraints go with more creative work on balance, not less (Damadzic and colleagues, 2022). Six rows decide the hardest part, what the song is, and leave you the best part: writing it.

Every ingredient

All 406 of them, if you’d rather pick by hand.

Song title ideas

  • Before the Lamps Go On
  • Hold the Moon for Me
  • Wait for Me, Morning
  • The Kindest Thing
  • All the Way to Tuesday
  • If the Sky Should Ask
  • A Light for the Road
  • Little Lantern
  • Paper Boats
  • The Night Was Ours
  • Somebody Loves the Rain
  • Leave the Gate Open
  • Two Minutes Fast
  • When the Band Goes Home
  • Ever So Far
  • The Smallest Star
  • Tell the Morning
  • Sleep, the Sea Is Calm
  • Higher Than the Kites
  • Last Light at the Pier
  • Carousel Horse
  • Sunday Clocks
  • Where the Music Can't Reach
  • Keep a Window Open
  • The Long Way Round the Harbour
  • Over the Rooftops
  • Count to a Hundred
  • Someone Like Sunday
  • Fireflies in a Jar
  • Whistle Me Home
  • The Year It Snowed
  • Lend Me Your Umbrella
  • Postcard from the Sun
  • A Song for the Lighthouse
  • All the Tomorrows Left
  • The Moon Knows Your Name
  • Rooftop Telescope
  • Wish Me Well
  • A Little Further
  • Sweet Mabel
  • Dancing on the Landing
  • Until the Stars Come Out
  • The Quiet Kind
  • Ships in the Window
  • The Brightest Thing I Know
  • One More Turn of the Wheel
  • Snow on the Bandstand
  • Morning, Come Gently
  • A Lamp in Every Window
  • The Ferryman's Song
  • Ribbons in the Rain
  • Meet Me by the Clock
  • All the Little Lights
  • The Sea Can Wait
  • Wherever the Wind Goes
  • Little Paper Crown
  • Sing Me Something Simple
  • Thursday Tea Dance
  • The Night Ferry
  • Bring the Washing In
  • One Small Wish
  • Halfway to the Stars
  • Up Before the Milkman
  • Snowfall on the High Street
  • Hush Now, Sparrow
  • Lighthouse Lullaby
  • Second-Hand Moon
  • Until the Tide Turns
  • Keep the Kettle On
  • The Windmill and the Wren
  • Brighter Than Brass
  • Our Bench in the Park
  • The Clockmaker's Daughter
  • Rain on the Marquee
  • The Sweetheart Bus
  • Starlight on the Gravel
  • When the Swallows Leave
  • Telegram for Two
  • All Aboard the Morning
  • Paper Lanterns
  • Dancing Shoes in the Attic
  • Last Waltz at the Palais
  • Old Moon, New Moon
  • Pennies on the Pier
  • Sweet Little Nothing
  • The Kite String
  • Home Before the Streetlights
  • A Window Seat
  • Best Coat On
  • Little Ships
  • Summer's on Its Way
  • The Brass Band Plays Tonight
  • Gentle on the Stairs
  • Under a Paper Sky
  • The Way Home Is Long
  • Nearly Morning

Pictures to write about

  • A paper boat racing down a rainy gutter
  • The moon caught in a puddle outside the bus station
  • A music box that only plays when the house is asleep
  • A kite tangled in the telephone wires
  • The last train of the night, lit up and nearly empty
  • Snow settling on a fairground after closing
  • A dance band rehearsing to an empty hall
  • A lighthouse still turning its light for no one
  • Footprints on the beach going only one way
  • A porch light left on all night, just in case
  • The dark of the picture house before the film begins
  • A name written in the frost on a window
  • A bandstand in the park with rain on its roof
  • Moths circling the one streetlamp on the lane
  • The end of the pier, where the music doesn't reach
  • A trunk in the attic full of someone's letters
  • Church bells over a town that's still asleep
  • Sheets on a washing line, filling like sails
  • A telescope on a rooftop, pointed at the same star every night
  • A carousel horse with its paint worn down to the wood
  • The station clock that's always two minutes fast
  • Two tin cans on a string between two bedroom windows
  • A rowing boat tied up, knocking softly at the dock
  • A garden gate that never quite shuts
  • A jukebox in an all-night diner with one song left to play
  • Sparklers writing names in the dark
  • A tin rooster on the roof, turning with the wind
  • An out-of-tune piano in the school hall after everyone's gone
  • A postcard from somewhere warm, never sent
  • A hot-air balloon drifting low over a field of cows
  • Stopped at the very top of the Ferris wheel
  • Fireflies in a jar on the windowsill
  • A street of lamps coming on one by one
  • A cardboard moon hung over the school play
  • A swing still moving in an empty playground
  • Paper streamers from a ship pulling out to sea
  • A sunflower taller than the garden wall
  • Pennies at the bottom of a wishing well
  • The kitchen at dawn, before anyone's up
  • An orchestra tuning up before the lights go down
  • A dropped glove on the steps of the town hall
  • Rain on the roof of a car parked by the sea
  • A paper lantern floating out across the lake
  • The lit window of the bakery at four in the morning
  • A row of beach huts shut up for the winter
  • An open violin case on a busy street corner
  • Steam from the laundry drifting up past the moon
  • Chalk hopscotch half washed away by the rain
  • A bicycle leaning on a gate with flowers in its basket
  • The pantomime horse hanging up backstage
  • A snow globe on the mantelpiece of an empty house
  • Gulls following the last ferry home
  • A wedding cake topper for sale in a junk shop
  • A candle in every window on the longest night
  • An umbrella blown inside out, cartwheeling down the promenade
  • A dog waiting at the station every evening at six
  • A tree house with a rope ladder and a sign that says keep out
  • Dew on a spider's web strung across the gate
  • The village hall after the dance, chairs stacked on the tables
  • A shop bell ringing as the last customer leaves
  • A greenhouse full of tomatoes and an old radio
  • Fog lifting off the river, one boat already out
  • Christmas lights still up in the middle of March
  • A bus shelter covered in names scratched into the paint
  • A child's handprint pressed into the pavement
  • A record still turning after the song has ended
  • Deckchairs stacked on an empty beach at dusk
  • A teapot under a knitted cosy, kept warm for someone late
  • Fireworks far away over somebody else's town
  • Rowing boats racked up like the keys of a piano
  • The swimming baths after closing, the water perfectly still
  • A message in a bottle on a cold grey beach
  • A tram bell ringing down a hill in the rain
  • A scarecrow wearing somebody's wedding suit
  • Washing left out in the snow, frozen stiff on the line
  • A hospital window full of get-well cards
  • The lights of a fishing boat a mile out in the dark
  • A long table set outside for a summer wedding
  • A paper aeroplane stuck on the school roof
  • A farmhouse by the railway where someone always waves

Characters

  • Mabel, who sells tickets at the picture house and never sees the end of a film
  • Old Mr. Abernathy, who winds every clock in town on Sundays
  • A boy who built a rocket from a washing-machine box
  • A lighthouse keeper who writes letters to the moon
  • A girl who keeps every wish she's ever made in a jam jar
  • The milkman who whistles the same tune at every door
  • A retired trumpet player who still practises at dawn
  • Ada, who still sets the table for two
  • A postman who reads the postcards and smiles
  • A tailor who sews a secret into every coat
  • The balloon seller who lets one go each night
  • A stagehand who knows every word but never goes on
  • A sailor home on leave who can't sleep without the sea
  • A librarian who leaves notes in the books she loves
  • The ice-cream man who plays his tune in the rain
  • Miss Harrow, the piano teacher whose metronome never stops
  • A paperboy who knows every dog on his round by name
  • A night nurse who hums to the ones who can't sleep
  • An old sign painter whose letters are on every shop in town
  • A circus girl who walks the tightrope in her dreams
  • Grandad in his shed, mending things nobody needs
  • The bus driver who waits a moment longer for the ones who run
  • A clown having tea after the show, face half washed
  • An astronomer who has never once seen the sea
  • The lift operator who knows everyone's floor
  • A beekeeper who tells the bees about her day
  • A wedding singer who has never been married
  • The newsagent who saves the last comic for one boy
  • A gardener planting for a spring she won't see
  • The projectionist up in the dark with the dust and the light
  • A pilot who drops letters from the sky
  • A fisherman who sings to his nets
  • Walter, who still waves at the trains he used to drive
  • A seamstress who hums the songs from every wedding she has sewn for
  • The lollipop lady who knows every child's birthday
  • Dot, who dances alone at the tea dance every Thursday
  • A boy who falls asleep to the shipping forecast
  • An usherette with a torch who knows every film by heart
  • A gravedigger who plants daffodils for the ones nobody visits
  • The woman next door who sings to her washing
  • A chimney sweep who counts the stars from the rooftops
  • A pianist in a hotel bar where nobody listens
  • Frank, the ferryman who has crossed the river twenty thousand times
  • A war bride who still keeps his first letter in her purse
  • A boy who keeps every bus ticket in a shoebox
  • The church organist who slips a love song into the hymns
  • A magician who only ever makes things appear
  • A girl who signals to her best friend across the street with a torch
  • The window cleaner who sees everybody's lives through the glass
  • An old couple who still hold hands at the bus stop
  • Ruby, the hairdresser who knows every secret on the street
  • A deep-sea diver who misses the quiet down there
  • A shepherd who gives every lamb a name
  • The station master who keeps a garden on the platform
  • A lonely ventriloquist who tells his doll the truth
  • A girl learning the trumpet on the twelfth floor
  • The café cook who remembers how everyone takes their tea
  • A man who feeds the ducks at the same time every day
  • Iris, who writes to the newspaper every week and never gets printed
  • A toymaker who never had children of his own
  • A busker who only knows three songs
  • A telegram boy who hopes the news is good
  • A choir girl who only hits the high note when no one's listening
  • An old sailor who builds ships in bottles

Feelings to write about

  • Being glad, just glad, that someone exists
  • The first warm day after a long winter
  • Falling for someone and wanting to tell the whole street
  • Good news you can't keep in
  • Coming home and finding the light on
  • A day where everything goes right for no reason
  • Feeling small under a sky full of stars, and not minding
  • Being young with everything still ahead
  • A friend who knows you better than you do
  • Dancing in the kitchen when nobody's watching
  • Loving someone more than you know how to say
  • Wanting to keep someone safe from the whole world
  • Watching someone you love fall asleep
  • A quiet evening that needs nothing added
  • Forgiving someone, and feeling lighter for it
  • Still being there for someone after all these years
  • Telling someone to hold on, it gets better
  • Being proud of someone who doesn't know it
  • Wishing for something you can't quite name
  • The ache of a perfect day getting late
  • Missing how big the world used to seem
  • Walking down a street you used to live on
  • Growing up faster than you wanted to
  • The last night of summer
  • The one who almost happened
  • Finding letters from someone you've lost touch with
  • Thinking of a friend who lives too far away
  • Wishing you could tell your younger self it turns out all right
  • Knowing this is the last dance
  • Daydreaming of a life somewhere else
  • Hoping anyway, when no one else does
  • Being lonely in a room full of people
  • Waiting for someone who isn't coming
  • The quiet of a house after someone's gone
  • Something you'll never get to say
  • Feeling yourself drift away from someone you love
  • Lying awake while the whole world sleeps
  • Smiling so no one asks
  • Being far from home on a holiday
  • Missing someone you never really knew
  • Laughing until you can't breathe with your oldest friend
  • The first night in a home of your own
  • Hearing your song on the radio for the first time
  • Saturday morning with nowhere to be
  • A letter from someone you thought had forgotten you
  • The first sight of the sea after a long drive
  • A kiss that makes the whole day make sense
  • Walking home in the rain and not caring
  • Running for the last bus and making it
  • Starting again somewhere nobody knows you
  • Hearing a child laugh in the next room
  • Finding out you were loved all along
  • Holding a hand in the dark
  • Being the first person someone tells
  • Making a home out of two people
  • Growing old next to someone
  • Coming back to someone after a long time away
  • Thanking someone you never thanked enough
  • Promising to wait, and meaning it
  • Comforting a friend without saying a word
  • Being brave for someone else
  • Hearing a song from the summer you were seventeen
  • Seeing your parents as people for the first time
  • Leaving a party just before it ends
  • Watching a train take someone away
  • Wondering what became of someone
  • Being homesick for a place that isn't there any more
  • Packing up a childhood bedroom
  • A love that only worked in summer
  • Remembering the sound of someone's voice
  • Missing someone who's only in the next town
  • Pretending you don't mind when they leave
  • Being the last one left at the bar
  • Hearing their name and still feeling it
  • Arriving too late to say goodbye
  • Loving someone who loves somebody else
  • The first Christmas without them
  • Watching someone you love forget who you are
  • Being told to cheer up
  • Knowing it's over before they say it

Tricks from the great songwriters

  • Sing the title on a leap of a whole octave. Over the Rainbow, Starman
  • End the chorus on a note that isn't home, like a wish not yet granted. When You Wish Upon a Star
  • Keep the melody off the home note until the title. When You Wish Upon a Star
  • Let the verse chords wander and the chorus land. God Only Knows
  • Paint one ordinary street, then make one thing on it a little strange. Penny Lane
  • Tell one stranger's story in the verse, then turn it to all of us in the chorus. Eleanor Rigby
  • Bring someone from the first verse back in the last. Penny Lane
  • Put a sad story inside a happy tune. Harry Nilsson
  • Say it as simply as a telegram. Irving Berlin
  • Keep the whole tune on five notes. In My Life, Here Comes the Sun
  • Move the whole song up into a new key for its last time round. God Only Knows
  • Make the title a question. Life on Mars?
  • Name it after a real place you loved as a child. Penny Lane
  • Give your character a name and one small, telling habit. Eleanor Rigby
  • Bring one line back at the end, changed by a single word. Jimmy Webb
  • Make the chorus one plain sentence anyone could say. Paul Simon
  • Open with one note and a breath of silence before you sing. Life on Mars?
  • Write it like a children's song that's really for grown-ups. Harry Nilsson, The Point!
  • Let someone escape into a picture show, a radio, a daydream. Life on Mars?
  • Let a wordless "ooh" carry the feeling where words would say too much. The Beach Boys
  • Put a number in the title. Harry Nilsson, One
  • Climb up the scale in the middle section, as if reaching for the light. When You Wish Upon a Star
  • Write it as a conversation across a great distance. Space Oddity
  • Let the chorus be a wish, said out loud. Wouldn't It Be Nice
  • After every leap up, let the melody step gently back down. When You Wish Upon a Star
  • Sing the verse low and close, then open up high for the chorus. Life on Mars?
  • Say one feeling, all the way through, and nothing else. The Great American Songbook
  • Put something enormous next to something everyday. Cole Porter
  • Let the tune rise a sixth where the hope comes in. In My Life
  • Let one note inside the chords fall a half step at a time. In My Life
  • Let the bass climb a half step at a time into the chorus. Life on Mars?
  • Sing the verse in short phrases, so it sounds unsure of itself. God Only Knows
  • Never sing the same note twice in a row. When You Wish Upon a Star
  • Keep the first half of the verse simple and make the second half richer. Wouldn't It Be Nice
  • Make the verse seven bars long instead of eight. Yesterday
  • Let the words fall where they want, not in neat fours. Yesterday
  • Slip in a bar of a different length somewhere unexpected. Here Comes the Sun
  • Hold the highest note of the song for three whole bars. Life on Mars?
  • Start the song with the chorus. She Loves You
  • Make the hook a phrase people already say. Jimmy Webb
  • Save a twist in the meaning for the very last line. Ira Gershwin, But Not for Me
  • Put long, open vowels on the long notes. Anthony Burgess
  • Don't use the word "heart" anywhere. Jimmy Webb
  • Put the verse in one key and the chorus in another. Life on Mars?
  • Start on a chord that isn't home, as if the song began a moment ago. God Only Knows
  • Give your prettiest melody a wry, funny line. Harry Nilsson
  • Use the old AABA shape: a verse, the verse again, a bridge, then the verse once more. When You Wish Upon a Star
  • End every verse on the same rhyme sound. When You Wish Upon a Star
  • Sing harmony with yourself on the chorus. Harry Nilsson
  • Give each line of the verse to a different person on the same street. Penny Lane
  • Write the last line first and work back to it. Stephen Sondheim
  • Use the bridge to move the story somewhere new. Jimmy Webb
  • Choose the unusual word over the obvious one, once in every verse. Jimmy Webb
  • Lean on a note that clashes with the chord, then let it settle. Yesterday
  • Sing the same tune again over different chords. Here Comes the Sun
  • Bring in one chord from outside the key in the bridge. In My Life
  • Write it first as a letter to one person, then make it a song. Jimmy Webb
  • Hint at the title in a verse line before the chorus says it outright. Jimmy Webb

Chord colours

Shown in C major or A minor. The generator moves each one to a key that suits it. A chord written with a slash, like Am/G, has the second note in the bass.

  • The wishing turnaround

    The old songbook circle: warm, hopeful and a little old-fashioned.

    Verse: C A7 Dm G7Chorus: F G7 Em A7

  • The minor four

    A major chord turns minor for a moment, like a memory. John Lennon's favourite, all through In My Life.

    Verse: C F Fm CChorus: Am F Fm C

  • The falling line

    One note slips down a step at a time inside the chords, like something gently letting go.

    Verse: C Cmaj7 C7 FChorus: F Fm C G7

  • The flat-seven sunrise

    A chord from just outside the key that feels like sun breaking through, like the long goodbye at the end of Hey Jude.

    Verse: C Bb F CChorus: F C G C

  • The shadow key

    The song keeps leaning toward its sad twin, the relative minor, the way Yesterday does.

    Verse: C Bm7 E7 AmChorus: F G C Am

  • The bright two

    A major chord on the second step lifts the line, then turns somewhere you don't expect. A Beatles habit from the start.

    Verse: C D7 F CChorus: Am D7 F G

  • The dreaming sevenths

    Soft major sevenths that float instead of landing.

    Verse: Cmaj7 Fmaj7 Cmaj7 Fmaj7Chorus: Am7 Dm7 Fmaj7 G

  • Wander, then land

    Unsettled chords in the verse and a clear home in the chorus: the shape of God Only Knows.

    Verse: Dm7 Em7 Fmaj7 GChorus: F G C C

  • The rising wonder

    One note climbs inside the chord like a held breath before something marvellous. Showtune magic that Bowie loved.

    Verse: C Caug C6 C7Chorus: F Fm C G7

  • The lullaby

    Three chords and the gentlest walk home. As simple as a telegram, as Irving Berlin put it.

    Verse: C F C GChorus: F C G C

  • The old-time sixths

    Sweet sixth chords, straight out of the songbook era.

    Verse: C6 Am7 Dm7 G7Chorus: F6 Fm6 C6 G7

  • The falling steps

    Four chords stepping down: minor, cinematic, a little like a tango.

    Verse: Am G F EChorus: F G Am Am

  • The minor reach

    A minor key that keeps reaching for the light.

    Verse: Am F C GChorus: F G C E

  • The warm minor

    A minor key with one surprisingly warm major chord in it.

    Verse: Am D Am DChorus: F G Am D

  • The amen

    Four to one, the soft amen at the end of a hymn: comfort, not drama.

    Verse: C Em F CChorus: F C F C

  • The long way home

    Two chords from outside the key step round the circle to home, the way the bridge of Here Comes the Sun does.

    Verse: C Eb Bb FChorus: Eb Bb F C

  • The circle

    Each chord pulls to the next round the circle of fifths, like walking gently downstairs: the songbook's road home.

    Verse: Am Dm G CChorus: Em Am Dm G

  • The street corner

    The fifties ballad: four chords round and round under a street-corner harmony.

    Verse: C Am F GChorus: C Am Dm G

  • The borrowed six

    A chord borrowed from the minor key passes like a cloud across the sun.

    Verse: C Ab F CChorus: Am F Ab G

  • The hero's return

    Two borrowed chords stride up to home, bold and cinematic.

    Verse: C Ab Bb CChorus: F G Ab Bb

  • The passing diminished

    A diminished chord slips between two others like a half step on the stairs. Pure songbook.

    Verse: C C#dim Dm G7Chorus: F F#dim C G7

  • The ballroom

    Two, five, one: the move half the standards are built on. Smooth, grown-up and a little smoky.

    Verse: Dm7 G7 Cmaj7 Cmaj7Chorus: Em7 A7 Dm7 G7

  • The sigh

    Suspended chords that lean, then settle, like a breath let out.

    Verse: Csus4 C Gsus4 GChorus: F C Gsus4 G

  • The front porch

    Three dominant sevenths: a little blues and a lot of front-porch warmth.

    Verse: C7 F7 C7 G7Chorus: F7 F7 C7 G7

  • The old minor song

    A minor key with a major five, the way folk tunes and lullabies have always done it.

    Verse: Am Dm E AmChorus: F Dm E E

  • The Picardy light

    A minor song that ends on a major chord, like a window opening at the very last moment.

    Verse: Am F Dm EChorus: Dm E Am A

  • The sun comes out

    A minor verse that opens into its relative major for the chorus, like clouds parting.

    Verse: Am Em F GChorus: C G F C

  • The minor falling line

    The bass sinks a half step at a time under one minor chord: the sorrow of My Funny Valentine.

    Verse: Am Am/G# Am/G Am/F#Chorus: F Dm E Am

Common questions

How does the song idea generator work?

It builds an idea from six rows: a title, a picture, a character, a feeling, a trick from the great songwriters, and a chord colour in a key and tempo. New idea shuffles every row you haven't pinned. Beside every line is its own shuffle, a pencil to write your own words, and a pin. With 96 titles, 80 pictures, 64 characters, 80 feelings, 58 tricks and 28 chord colours, there are more than 408 billion combinations, so the idea you get is almost certainly yours alone.

Is this an AI song generator?

No. Nothing on this page is generated by AI and it never writes a song for you. Every ingredient is written out in advance; the page only chooses and combines them, and the song you write from an idea is yours. Song Cage uses no generative AI anywhere.

What should I write a song about?

A picture and a feeling, more than a subject. Love is a subject; a lighthouse still turning its light for no one, sung by someone who waits up for a person who isn't coming, is a song. Start from one ordinary thing you can see, give it a person, and let the feeling come through what they do.

Can I use these song titles and ideas in my own songs?

Yes, that is what they are for, and changing them is encouraged. In the US, titles and short phrases are not protected by copyright (US Copyright Office, Circular 33), and chord progressions like these are shared by thousands of songs. The melody and the lyric you write are yours.

Why are the tricks named after old songs?

Because the devices behind the songs that last are learnable. When You Wish Upon a Star opens with a leap of an octave and ends on a note that isn't home; God Only Knows keeps its verse unsettled until the title lands; Penny Lane makes an ordinary street a little strange. Each trick names where it comes from, so you can go and listen.

What is a chord colour?

A short progression with a character of its own, like the minor four (a major chord turning minor for a moment, all through In My Life) or the falling line (one note slipping down inside the chords). Each comes with four chords for the verse and four for the chorus, in a key that suits singing and guitar or piano. Press Hear it to play them.

Is the song idea generator free?

Yes. No account and nothing to install, and Hear it plays the chords in your browser. In Song Cage, every new song can open with a starter like this one, and Start this song puts its title, key, tempo and chords into the song, with the picture, character, feeling and trick kept beside it while you write.

Write it in Song Cage

Every new song in Song Cage can open with a starter like this one. Press Start this song and the title, key, tempo and chords are in place, ready to play, with the picture, character, feeling and trick kept beside the song while you write. Free for one song in your browser. No credit card required.

Start writing for free →

Or try Song Cage for Mac and Windows free for 14 days, AU/VST3 plugin included.