What has shipped, and when

Dragging a note now follows the hand and commits once when you let go, so a move no longer stutters with Chords on; each semitone crossed is sounded on the way. Cmd snaps a trimmed edge to the grid. Motif's mirrors and reversals are drawn as made notes, not sung ones. Chord names in flat keys are spelled with flats. The trial streams everything live; dragging the clip out comes with the licence.

Trimming a take no longer throws anything away. The notes outside the edges are drawn washed back instead of deleted, and dragging an edge out brings them back whole, in tune and in time. And the key can now be read off part of a take: pick out three notes or more on the roll and the suggested keys come from those alone, so a phrase you sang well can set the key for the whole idea and pull the rest of it into line.

Sing a wrong note right: pick it out, hold S, and sing or play the pitch you meant. Drag either end of the take on the ruler to set how long it is. Takes are deleted one at a time from their own number, and the corrections for a picked note now sit behind one word, or a right click on the roll. Fixes a scrollbar across the whole window at some sizes.

Drag either edge of a note to trim it, and double-click an empty spot on the roll to add one; hold and drag to set its length. A dragged note now stays under the pointer, with a tag showing where it is; Shift holds its pitch and Cmd snaps it to the grid. Cmd+Z undoes inside the plugin instead of undoing the DAW. Flatten writes a take as you hear it, parts and all, as a new take that can go through the rack again. The take bar stays one row instead of folding as you work.

Morph, a thirteenth effect: sing a take twice and one dial walks the line from the first to the second. The last five takes now stay, with a number for each on the take bar, and the Arp has a Level dial.

Every slider is now a dial, and the effects under the roll take about a third less width. An open effect folds down to a rail so a big patch fits on screen, and the bar a take plays at is a field you type into. Fixes a sung take arriving with no pitch curve, which left Expression with nothing to keep, and the pitch axis spelling a flat key in sharps.

Bones, a twelfth effect: it keeps the notes that carry your tune and writes a new melody on them. Hum a verse and turn four dials for its chorus; roll again for another.

Licensing: a 14-day trial on your Song Cage account, and a one-time unlock.

Drag the effects into any order. Rest on a note and In Key says why it moved it, or why it left it alone. Record from a MIDI keyboard with K.

First public release. Sing a melody in your DAW and run it through a rack of eleven harmony-aware MIDI effects. AU and VST3, Mac and Windows.